There are a lot of different types of microphones, and the basic idea behind them all is that they capture and reproduce the sound better than any other type. However, with the many different kinds available, it’s often difficult to know which one is best for your purposes. Some cardioid microphones capture their sound better than others, but don’t do a great job of reproducing it. Others are better with recording vocals than are cardioid microphones, but also can’t handle extremely high volumes.
Which type of microphone is best for vocals? The answer really depends on what you want your microphone to do. If you want a really nice, detailed sound, then cardioid microphones are the best option. However, if you’re looking for a super high volume sound, then the diaphragm microphones may be the right ones for you. They capture the sound well, but tend to pick up a lot of noise.
The sound quality of a microphone can be measured in decibels (db). The higher the is, the higher the sound quality. While cardioid microphones capture a fairly large amount of sound, their sound quality is not as good as the other types of microphones.
Which type of microphone is best for vocals? It depends upon your application. While a very large microphone may capture the sound very well, if you’re planning on performing live, it’s probably not worth it. If you plan on recording your own vocals, however, a large condenser microphone may be your best option.
One final point to make is that not all microphones capture sound waves the same way. Condenser microphones use a diaphragm rather than a spring to capture sound waves. Ribbon microphones use springs to do this but cost slightly more. So, which one is best?
The answer ultimately lies within your ears. Different musicians and sound engineers will have different opinions on which microphone is best. The one thing that they have in common, though, is that they all love microphones that capture the sound that comes through their speakers. So, which one do you need to start out with?
For live performances you’ll probably want a cardioid microphone, one that captures and cuts off the sound from all directions equally. You want a mic that allows you to sing along, and lets the sound come from all directions at once, without a “line” being compromised. If you use one of the smaller condenser microphones for practicing, you’ll want to go with a bigger one for your live performances.
If you record your voice and use a diaphragm or ribbon mic, you can get the most out of your vocal reproduction by choosing one with a high F-min. This means that your voice sounds much tighter, but also that you’re able to keep the sounds that are vital to your performance. Recording engineers like cardioid microphones because they capture sound much better. They also sound more natural and honest, especially if you’re singing in a low register.
So which mic is best? The answer is…that only really depends on what you need it for. If you’re trying to get a great sound, then choose a cardioid microphone. If you need a thin, clear voice, then choose a condenser mic.
